Rachel Weinberg - Page 16

Rachel Weinberg

Chicago native Rachel Weinberg has been one of the most frequent contributing editors and critics for BroadwayWorld Chicago since joining the team in 2014. She is a marketing professional specialized in content strategy, writing, and editing. Rachel graduated with her Master’s degree in Integrated Marketing Communications from the Medill School of Journalism at Northwestern University. She earned her undergraduate degree in Communication and Hispanic Studies from the University of Pennsylvania. Rachel has worked previously in digital marketing for Goodman Theatre and as a marketing apprentice for Roundabout Theatre Company in New York City. When she’s not at the theater, you can catch her riding up a storm on her Peloton bike, getting lost in a good novel, or sampling desserts at bakeries across the city. You can find her online at RachelWeinbergReviews.com and follow her on Twitter @RachelRWeinberg.






BWW Reviews: The Brick Theater's THE UNCANNY VALLEY: A Trip Down The Technological Rabbit Hole
BWW Reviews: The Brick Theater's THE UNCANNY VALLEY: A Trip Down The Technological Rabbit Hole
October 9, 2014

'The Uncanny Valley' invites audiences to take a trip down the technological rabbit hole. Created and directed by University of North Carolina Chapel Hill professor Francesca Talenti, this new play makes for an unsettling evening at the theater - yet its overly moralistic tone prevents it from probing as deeply as it could. The play provides a twist on the concept of the uncanny valley - the idea that that which possesses human features and moves almost like a human being, but is slightly off, will have an effect of repulsion on the human viewer.

BWW Reviews: BRIGADOON Delivers Enchanting Summer Musical Spectacle
BWW Reviews: BRIGADOON Delivers Enchanting Summer Musical Spectacle
July 8, 2014

Goodman Theatre's production of Lerner and Loewe's 1947 musical Brigadoon lovingly pays homage to the tradition of classic American musical theatre while also retaining a sense of exuberance and delight. Helmed by director and choreographer Rachel Rockwell, this production does not shy away from spectacle and largely has the talent to back it up. The show preserves Lerner and Loewe's lush music and lyrics with an updated book by Brian Hill that provides an even sense of pacing and storyline.

BWW Reviews: AstonRep Theatre Company's Well-acted WIT is Saturated in Sadness
BWW Reviews: AstonRep Theatre Company's Well-acted WIT is Saturated in Sadness
May 11, 2014

AstonRep Theatre Company's high-quality production of "Wit" packs an emotional punch yet also revels in cleverness. Margaret Edson's Pultizer Prize winning play profoundly deals with the experience of cancer, and the capable actors in the show's ensemble - particularly Alexandra Bennett in the lead role - are up to the challenge. There is much to admire here, but this is an intense theatre experience (and rightfully so when dealing with such a difficult, indescribable topic). "Wit" inevitably spirals towards tragedy, and this sadness looms during the entire 90 minutes of the play.

BWW Reviews: MOTOWN THE MUSICAL Makes For Catchy, Frothy Fun But Little Else
BWW Reviews: MOTOWN THE MUSICAL Makes For Catchy, Frothy Fun But Little Else
May 9, 2014

'Motown the Musical' plays out like a veritable hit parade. Directed by Charles Randolph-Wright, this first national touring production showcases Motown Records producer Berry Gordy's greatest songs as performed by some capable onstage talent. The show makes for a lively and fun evening at the theatre but provides little in the way of truly meaningful plot or character development.



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